laterpost 1999. Dominique Gonzalez-Foerster
DOMINIQUE GONZALEZ-FOERSTER, Plage Parallèle, 1999
installation at Mies van der Rohe Pavilion, Barcelona
image courtesy of the artist
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DOMINIQUE GONZALEZ-FOERSTER, Plage Parallèle, 1999
installation at Mies van der Rohe Pavilion, Barcelona
image courtesy of the artist
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Untitled (ANNE COLLIER SCHORR), 2018
marker on linen
100 x 100 cm, 39.37 x 39.37 in
image courtesy of Dependance, Brussels
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Untitled (ANNE COLLIER SCHORR) (2018) by KARL HOLMQVIST is part of his solo exhibition entitled One Child per Household on view at Dépendance in Brussels until December 15, 2018.
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all images:
Sentimentality is the core, exhibition views
at Modern Art, London, 2018
courtesy Modern Art London
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ŠARČEVIĆ’s exhibition at Modern Art consists of a series of new works made from commercial freezers, farmed ice crystals, and an audio component. In the exhibition, various readymade freezers – powered on and at work – occupy the otherwise empty ground floor of the gallery. The humidity in the air inside the gallery space affects the ever-growing frost within them. Eerie monoliths, they formally evoke both Minimalism and an abandoned supermarket. Over the humming of their motors, audio tracks, punctuated by distortion, can be heard periodically. Transducer speakers installed within the freezers emit vibrations that rely on solid or liquid particles to generate sound. As such, the thick layer of frozen condensation that has formed within each of them becomes the physical device for sound wave transmission. The audio component of each work is composed of a different Pop song from the 1980s (from GEORGE MICHAEL and CHAKA KHAN to SPANDAU BALLET, BILLY IDOL and SADE) that was significant to the artist during his teenage years in Yugoslavia.*
Sentimentality is the core by BOJAN ŠARČEVIĆ is on view at Modern Art in London until December 21, 2018.
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*excerpt from the Modern Art press release
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Plug, 2018
ceramic sink, hand-rolled cigar
31.1 x 45.4 x 31 4 cm
image courtesy of Metro Pictures, New York
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Plug (2018) is part of the exhibition Baby by NINA BEIER that is running at Metro Pictures in NYC through December 21, 2018.
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Public Sculpture (2018), GHISLAINE LEUNG
seen at Fri Art, Fribourg
on Saturday, October 27, 2018
image © we find wildness
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Les Guérillères (2016), MAI-THU PERRET
seen at Mamco, Geneva
on Saturday, October 20, 2018
image © we find wildness
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The Big Shift (1989), CADY NOLAND
seen at MMK, Frankfurt am Main
on Friday, November 9, 2018
image © we find wildness
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Job Description (1984)
scan from The Production Line of Happiness, CHRISTOPHER WILLIAMS, Green Edition, Yale University Press, 2014
courtesy of the artist
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Job Description (1984) by BARBARA KRUGER has been originally published in Remote Control: Power, Cultures and the World of Appearances (MIT Press, 1983), pp. 233-34.
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