Untitled, 2014 (detail)
salt, funerary arrangements, ink, dimensions variable
from the group exhibition from whose ground heaven and hell compare at Croy Nielsen, Berlin (image courtesy of Croy Nielsen Berlin)

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I just came across this photo from a group exhibition that is currently on view at Croy Nielsen gallery in Berlin. It shows a detail of an installation by JARED MADERE, which transformed a part of the gallery into a unwieldy landscape made of salt and flowers from funerary arrangements. By looking for informations about JARED MADERE, it seems that he remains disinterested in building an archive; his works are often made using fragile and ephemeral materials such as salt, flowers, or fruits, that are dismantled and destroyed once an exhibition has ended. MADERE‘s installations and sculptures suggest the passage of time and mess with space, and image-making. View more images of the installation here.

 ➝ From whose ground heaven and hell compare with OLGA BALEMA, GEORGINA BRAOUDAKIS, ELAINE CAMERON-WEIR, GEORGIA DICKIE, DAVID FLAUGHER, ALEKSANDER HARDASHNAKOV, JASON MATTHEW LEE, JARED MADERE, CARLOS REYES, ERIC SCHMID, ANDY SCHUMACHER, BEN SCHUMACHER, LUKE SCHUMACHER organized BY BEN SCHUMACHER is on view until July 26, 2014 at Croy Nielsen gallery Berlin

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