Valerie Snobeck

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Go Down, 2013 
partially removed mirror, door barricade brackets, peeled prints and burlap on plastic, dry erase marker 
52 x 36 x 3 inches (132.08 x 91.44 x 7.62 cm)

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exhibition view at Galerie Catherine Bastide, Brussels, October-December 2013

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Bill’s Flower, 2013
debris netting, partially removed mirrors, peeled print and linen on plastic, door barricade brackets, wood, hardware, permanent marker

valerie-snobeck-2 Order Between One and Other, 2012  debris netting, partially removed mirrors, peeled print on plastic, door barricade brackets, gesso, wood, hardware valerie-snobeck-7 Distant Body, 2012 partially removed mirror, peeled print on plastic, door barricade brackets  – valerie-snobeck-8 Order Between One and Other, 2012  debris netting, partially removed mirrors, peeled print on plastic, door barricade brackets, gesso, wood, hardware valerie-snobeck Aprés, 2010 – 2013 partially removed mirror, peeled print on plastic, unpeeled plastic, hardware   valerie-snobeck-20 exhibition view at Galerie Catherine Bastide, Brussels (2011-2012) Apparent Structure, 2011 partially erased mirror, peeled print on plastic, screen protector, debris netting, door barricade brackets  121.9 x 91.4cm Replication, 2010 Refill, 2011 removed mirror, peeled print on plastic, screen protector, debris netting, hardware 121,9 x 91,4 cm 2230, 2830, 2011 peeled print on plastic, glass, hardware, permanent marker, four drinking glasses valerie-snobeck-12 Grand Beauty Salon, 2012 peeled print on plastic   valerie-snobeck-13 exhibition view at Essex Street, NYC (2012) Grand Beauty Salon peeled print on plastic

valerie-snobeck-14 Grand Beauty Salon peeled print on plastic exhibition view at Essex Street, NYC (2012) valerie-snobeck-16 Identity in the Double, 2010-2013 Debris netting, partially removed mirror, peeled print on plastic, wood, gesso, hardware, door barricade brackets valerie-snobeck-18 all: Grand Beauty Salon, 2012 peeled prints on plastic

 

valerie-snobeck-9 Carton #371 of 419, 2012 peeled print on plastic, ostrich chair   valerie-snobeck-19 exhibition view at Kiehle Gallery, St Cloud State University, 2013   valerie-snobeck-6 detail from They Seem Removed, 2012 debris netting, wood, gesso, hardware 242.6 x 181.6cm all images courtesy VALERIE SNOBECK

VALERIE SNOBECK is an American artist who produces hyper-material works composed mainly with semi-transparent nettings, mirrors, plastic films and glass. Suspended between transparence and opacity, pliability and hardness, materiality and immateriality, as well as formation and deformation, her sculptures and installations investigate the temporality, where imprints, stains and shadows provide glimpses of moments and halted trajectories.

VALERIE SNOBECK lives in works in New York. She received her MFA from the University of Chicago and BFA from St. Cloud State University, Minnesota.  She had three solo shows in 2012: an eponymous exhibition at Le Consortium in Dijon, They Seem Removed at Thomas Duncan Gallery in Los Angeles and Grand Beauty Salon at Essex Street in New York. Group exhibitions in 2012 included New York: Directions, Points of Interest at Massimo de Carlo in Milan and I Think and That Is All That I Am at Thomas Duncan. She also exhibited at FIAC in Paris with Essex Street, NADA Miami with Thomas Duncan.

American Standard Movement, a site-specific piece commissioned for the courtyard of the Smart Museum of Art at the University of Chicago, is on view through October, 2013.



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