wfw weekend #385

wfw weekend #384

Domenico de Chirico for We Find Wildness #82

Repetition in choreography is a useful procedure that brings out the materiality of what might often be considered as immaterial. By experiencing something again and again and again you go through waves of proximity, observation of detail, boredom and desire. When a structure becomes very apparent, you begin to see the way the performer is navigating and engaging with that structure. The split between the performer and what they are doing, between the dancer and the dance becomes more apparent. The opposite is also true, there is an impossibility because these two elements can never be split. – ALEX BACZYNSKI-JENKINS in conversation with ELLEN GREIG, Chisenhale Gallery London, January 2017

one pic wednesday. Robert Grosvenor

wfw weekend #383

wfw weekend #382

Domenico de Chirico for We Find Wildness #81

Puppies Puppies is inevitably the work of a person born during the rise of the Internet. The rhythm of their life has been established by machines. In some ways, this contradicts the personal and the emotional. But the Internet, especially in the beginning, was also deeply involved with intimacy and emotional connection between strangers. Sex with strangers reveals something very deep about human existence, and maybe coming to know some artists and their activity is like having sex with strangers. – Forrest (husband of Puppies Puppies) in conversation with Tenzing Barshee, Mousse 57 (February–March 2017)

one pic wednesday. Kader Attia

http://gossipsweb.net: a database of alternative art spaces

Kevin Barrett Weil. Two Addresses

The Peshmerga offensive is a massive engineering enterprise, a monumental Land art operation. Behind each platoon there is a bulldozer waiting. Every hundred meters of gained territory results in hundreds of tons of dry earth pushed forward, all in order to move the front line ever closer to the suburbs of Mosul. Landscape is refashioned daily by the shelling, ISIS’s tunnels are behind, under, and beyond our mobile front line; the dunes are scarred by the infinite lines of trenches while on the Syrian-Iraqi border ISIS’s bulldozers breach a passage through a hill to erase the Sykes–Picot Agreement’s fatal design. The desert is no longer an exotic escape. It’s pure naked exposure. The closest to protection from the snipers is by running from one shadow to another. – Francis Alÿs on his embedment with the Kurdish Army in Mosul, Artforum, February 9, 2017

wfw weekend #381

wfw weekend #380