The Italian sculptor Medardo Rosso (1858-1928), one of the few artists recognised by the Futurists as models, began in the late nineteenth century to devote his attention increasingly to photography. He photographed the reproductions of his sculptures over and over again, experimented with photographic paper, photo-plates and enlargements, until only the traces of the original image were left. When he exhibited some of his photographic experiments in Paris shortly before the turn of the century, Degas is said to have cried out: ça c’est de la peinture ! – Michaela Chiriac, The Image from the Image: The Disappearance and Appearance of Images in the Works of Marieta Chirulescu, Kunsthalle Basel, 2010

17 Things to do. Week #24 – special Basel

(Art) Basel diary #15

Art Basel 41. Hall 1/2 Highlights N°6

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laterpost 2014. Mandla Reuter at Galerie Mezzanin, Vienna

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Marina Pinsky. Dyed Channel

David Hanes. wfw aware #18

actual_size #2. Anne Imhof

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Rita Ponce de León

Unpublished 2013. Allyson Vieira

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Nairy Baghramian

Unpublished. Yael Davids

Unpublished. Latifa Echakhch & David Maljković

Craigie Horsfield

Aleksandra Domanović. From yu to me

Aleksandra Domanović

Reto Pulfer

Cevdet Erek & Hannah Weinberger

Carl Andre. 44 Carbon Copper Triads

Annette Amberg

Vanessa Safavi

Aleana Egan

Thea Djordjadze

Danh Vo

one message interview #22. Elise Lammer

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9 Things to Do. Week #21

Emilio Prini

Petrit Halilaj

Róza El-Hassan

Kerstin Brätsch & Adele Röder. Vorahnung [UNITED BROTHERS AND SISTERS]

Lili Reynaud-Dewar

Nikolas Gambaroff

Nina Canell

Marcel van Eeden