Sterling Ruby. Soft Work

STERLING RUBY, Soft Work
at Centre d’Art Contemporains, Geneva
from 24 February – 22 April 2012
all images © WFW

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For his first solo exhibition in Switzerland – that opened a few days ago at the Centre d’Art Contemporain in Geneva,  Los Angeles based artist STERLING RUBY (1972) toys freely with a series of large-scale installations of soft sculptural works designed especially for this exhibition.

RUBY makes art of myriad forms which includes ceramic vessels, enormously phallic polyurethane stalagmites, minimalist cubes “defaced” by graffiti, photographs painted with red nail polish or video works. Alternately raw and elegant, degraded and ballsy, his works depict a fascination with the repressive overtones of minimalism, architecture and the history of abstraction.

Coming from an artist known for working in an excess of media, STERLING RUBY‘s current exhibition in Geneva is surprisingly single-minded. In fact, the exhibition focuses on a significant part of his body of work that has not received specific attention until now. Pillows, blankets and quilts are transformed from objects of comfort into sculptural objects that hint at the possibility that safety and security are an illusion. He also used his soft sculptural material to transform threatening or aggressive subject matter into playfully pop-like form. However, just as his previous exhibitions, it is all about overwhelming the viewer with objects, color and surfaces.

RUBY’s vocabulary is constantly mutating and expressing danger, as in the animal kingdom where the evolutionary expression of bright colors distinguish a poisonous creature. Similarly, in a manmade environment florescent colors are used to warn or avert, to caution or police, to highlight or even to castigate, as with the choice of a florescent orange uniform for a prisoner. Color is sometimes easy to overlook, yet considering his formal choices RUBY proves to be a well-versed student of that artistic tradition. – by STEVEN PULIMOOD for 032c #20

Soft Sculpture is currently on view at Centre d’Art Contemporain in Geneva until 22 April 2012

 



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